For L.K. Madigan

I mentioned my fellow writer and 2009 Deb L.K. Madigan last month, because we were doing a giveaway to support her books in light of her sudden illness. Yesterday, we got the very sad and difficult to accept news that Lisa has passed on.

I am tearing up as I write this because it is so difficult to accept. It happened so quickly, and I kept hoping that things would turn around for her and she would conquer this cancer as she was able to with another 20 years ago. I never got to meet Lisa in person, but we talked frequently through the Debs blog and exchanged critiques on a couple of our novels. I am so grateful for having gotten to know her, and to receive her thoughtful advice and enjoy her wonderful sense of humor, and I wish so very very much that we could have known each other longer.

You are missed, Lisa.

Kate Messner expresses the power of Lisa’s words far more eloquently than I could, and her agent, Jennifer Laughran, has posted a moving tribute.

For those who still wish they could help, April Henry offers details about the trust set up for Lisa’s son. Please pass this on to anyone you think would want to know.

And if you haven’t picked up Flash Burnout and The Mermaid’s Mirror yet, why not do it today?

What I did on my Florida vacation

Florida was amazing! I returned to the cold and snow late Monday night, and I miss it and the people there very much.

Wednesday and Thursday nights, I did my presentations along with ghost storyteller Monica Ladd and the Gold Coast Paranormal Society as part of Palm Beach County Library’s Authors Love… Ghosts! program and had a wonderful time. A whole bunch of teens showed up and asked excellent questions about writing and publishing (as well as the obligatory “How much money did you get for your book?”). The library has put up several photos from the events here. Thank you to everyone who came!

I also got to hang out with my long-time online friend and crit partner, Amanda Coppedge, in person for the first time. So amazing how the internet allows us to connect with people all over, but it’s always extra special to get to meet those people face to face. 🙂

I got to meet a whole bunch more people on Friday when Amanda and I headed out to Key Largo for our retreat. We’d booked this amazing house near the beach, with four balconies and a huge patio:

I did much writing both outside on the balcony, and inside on the very comfy reclining couch:

Which is also where we had many discussions about books and writing and publishing and top secret things I cannot tell you about, or else I would have to kill you.

One of the particularly exciting features of the house is it was on a canal, and several manatee liked to swim along by and take a drink of fresh water from the hose. They were very playful, pushing each other around and rolling onto their backs, and they often came close enough that we could pet them. (Mostly hairless, kind of rough skin, like what I’d imagine an elephant might feel like. If wet.)

Alas, in the end we had to leave, but we did manage to capture the whole group on the last night, on a run to the nearby ice cream shop:


(Approximately left to right: Jessica Spotswood, Danielle Joseph, Jaclyn Dolamore, Amanda Coppedge, Mimi Curtis, Marjetta Geerling, Crissa-jean Chappell, and me.)

Can’t wait to hopefully do it again next year!

Sun and sand, here I come!

The blog is going to be a little quiet for the next week or so, because I will not be here. Where am I going? Here’s a clue:

I’m leaving tomorrow for Florida! Woohoo! Just what a north-dweller needs in the middle of February.

It won’t all be fun and games. I’ll be doing a couple of talks for the Palm Beach County Library System on Feb 16 (Glades Road branch) and 17 (Wellington branch), so if you can, drop by and see me. (More details here.) And then I’ll be writing away on a retreat in Key Largo, making a dent in my current WIP.

Actually, all of that will be fun. Never mind! I hope you all have as great a week as I’m going to have! 🙂

For Valentine’s Day—Yes, this is a kissing book

I wanted to share a kissing scene from one of my books for Valentine’s day, but I found myself with a dilemma. There is no romance in Give Up the Ghost. And to reveal any kisses from The Way We Fall or its sequel would be rather spoilery.


(No fears, though, romance fans who were disappointed with the platonic-ness of Ghost. TWWF is most definitely a kissing book.)

So I am giving you a kiss from a work-in-progress. The scene comes from what I have been calling “the Japan book” because it doesn’t yet have a title, a contemporary fantasy YA. This is extra special because NO ONE in the entire world has read any of this book before now, except for me of course (because it is rough enough overall that I haven’t shown it to my crit partners and it’s been waiting on my trip to Japan this spring before I do rewrites).

Anyway, on with the kissing!

     A dark shape shot out of the underbrush near Keiji’s feet. He flinched away with a yelp, and tripped over a root jutting from the soil behind him. I grabbed at him as he fell. His arms flailed, and one hand caught my wrist, but he was already too off-balance. He toppled over the edge of the ridge we’d been walking along, and I tumbled after him. We skidded several feet through mud and damp grass, Keiji on his back and me on my side, until I caught a hold of a plant with strong enough roots. We jerked to a halt. Midori, who had sprung from my head as I fell, hovered in the air over us.
     A large black rabbit hopped across the trail of broken plants in our wake and dashed off into the brush. Keiji started to laugh.
     “I thought—” he said. “I thought—” But he was gasping too hard to finish the sentence. I looked down at the two of us, mud-smeared and breathless for fear of a rabbit, and giggled.
     Keiji made a movement as if to squirm upright, and his shoulder bumped mine. He stopped abruptly. I turned my face, and realized his was only inches away. I could feel the air he exhaled against my cheek.
     It was the perfect time for him to make one of his jokes. I braced for it. But he just stared up into my eyes. Something in me melted. I was muddy and disheveled and abandoned by those I was supposed to be helping, and this boy was looking at me as if I was the clearest of night skies and he’d never before seen the stars.
     A tiny voice inside me murmured, Why not? I lowered my head and kissed him.
     Keiji’s lips parted in surprise under mine. The gentle movement sent a shiver over my skin. I’d never kissed anyone before, not on the lips. I hesitated, my mouth still brushing his, wondering if I was doing something wrong, and then Keiji seemed to wake up beneath me.
     He shifted up on one elbow as his other hand slid around the back of my neck, tilting his head as he drew our mouths closer together. His fingers were slick with mud and the edge of his glasses bumped my face but in that moment I was just fine with that. His lips were warm and a little rough against mine, shifting slowly with the most delicate of movements that made my heart pound and my head spin in a way that seemed altogether out of proportion but it was good, my pulse was singing, my blood dancing, the lingering taste of the peaches we’d eaten for breakfast, the softness of his skin as my palm found his cheek—
     And then I woke up. I was lying here kissing a boy I’d met two days ago when the one I’d loved since I was old enough to notice might come racing back any moment. I jerked back, pushing myself upright. My lips tingled as if all the ki in my body had settled there. Heat flushed my face, far more intense that anything the sun offered. I stared up at the path we’d fallen from, willing it to pass.
     Keiji didn’t move. I could feel him watching me, hear the gentle rasp of his breath. In the silence that stretched on, it made my heart stutter again.
     “We should keep going,” I said. “There isn’t much time.”
     Keiji swallowed. He shoved himself into a sitting position. I wasn’t looking at him, but all I could see was him crouched there beside me at the edge of my vision. “Yes,” he said. “Time. Right.” He took off his glasses, wiped a smear of mud off them on one of the few not-muddy parts of his T-shirt, and slid them back on. Grabbing onto a sapling, he hauled himself to his feet. I scrambled back up to the path ahead of him, before he could offer me his hand.

Happy Valentine’s day! 🙂

The music of Give Up the Ghost: “Smoke”

The first song on Give Up the Ghost‘s unofficial soundtrack to have an actual music video!

I’ve always found Natalie Imbruglia’s “Smoke” to be a haunting song, a mood which suits a book about ghosts don’t you think?

Listening to it makes me think of broken families and difficult relationships, and all the additional hurt that comes when people are refusing to deal with or even acknowledge the painful things that have happened. Which could apply to both Cass’s situation and Tim’s, and I think the lyrics can fit either character.

Full unofficial soundtrack here.

Comfort reads

I’ve been re-reading Watership Down this week, because it resonates somewhat with my current project, which isn’t something I do a whole lot. Re-read that is. There are so many new books I want to check out that it’s hard to find time to go back to old favorites. But reading it reminded me of what a wonderful feeling it can be to immerse yourself in a familiar world and experience a story you know you love over again.

Just as there are comfort foods, I’m sure most avid readers have comfort reads: books you go back to when you’re down or out of sorts. Mine tend to be humorous novels–The Princess Bride and The Hitchhiker’s Guide to the Galaxy are my standbys.

     

As a kid I read my all-time favorite novel, Zilpha Keatley Snyder’s The Changeling about a million times, because I so wanted to be part of that world, and when I was reading it I sort of was for a little while. (I talk about my love for it more here.)

What are your comfort reads? What books to you find yourself coming back to again and again?

Reader Question: The hardest part of writing

What is the hardest part of the writing process for you?

I know this without even thinking it over: Beginning. In a couple of different ways.

On the small scale, the first few chapters of any book are the ones I struggle with the most. It’s a big juggling act, trying to introduce characters and situation and get the action started, while neither being too confusing nor too slow. I haven’t quite figured out the trick to it yet. With The Way We Fall, the first 40 or so pages were something like a fourth draft, and the rest only a second draft (plus polishing overall), and those first pages still needed just as much if not more revision than the rest. 😛

However, I believe that knowing is half the battle, and knowing my weakness hopefully I will conquer it in time!

On a larger scale, the the hardest part of the entire writing process for me is the first draft. Even though I’m an outliner and I have a pretty clear idea of how my story will go before I start, I don’t find I can really start shaping the novel into the book I want it to be until the whole thing is written out in full. Even with an outline, you can discover a lot once you’re trying to flesh those ideas out. Working on the sequel to The Way We Fall right now, I have five notebook pages of jotted notes about scenes I need to go back and tweak or rework entirely, character motivations I have to better set up, details I realized after the fact that I forgot to consider. It’s also a sort of nervous time when I’m not absolutely entirely sure I will indeed reach the end.

The only way I get through first drafts is by constantly telling myself it doesn’t matter how many things in the story are broken, once I get to The End I can go back and fix them all. (I love second drafts. Second drafts are when I get to take the mess and make it good.)

Now you’ll have to excuse me–I’ve got a first draft I really want to get to the end of!

Things I Like: Dramarama

I planned on giving this book a shout-out at some point or another, but now seems like a particularly good time, as I just had the pleasure of listening to its author, E. Lockhart, share her wisdom about writing and publishing at Kindling Words a couple weekends back.

I’ve read all of Emily’s YA novels, and adore all of them, but Dramarama was my first and remains my particular favorite. It doesn’t seem to get nearly as much love as the Ruby Oliver books or The Disreputable History of Frankie Landau-Banks, which makes me want to talk about its awesomeness even more.

What makes Dramarama so awesome? Well, there’s the incredibly authentic voice of its narrator, Sadye, who is smart and funny and dissatisfied and complicated in all sorts of wonderful ways. There is her devoted-but-far-from-perfect relationship with her best friend, Demi, who is black and openly gay and a complete and engaging character, never a message or a token. There’s the unique setting at a summer drama camp. But most of all, there’s the ending, which I can’t say much about without spoiling, but I love love love that it doesn’t shy away from the reality of Sadye’s situation to force a happy ending, and I think it is happier because it is real.

Want to check out the book for yourself? Leave a comment on this entry by the end of Friday, February 11, and I will send a copy to one commenter!

Selected by random draw, open to readers from all countries.

Good luck!

Writer at Work: Copyedits

I just finished one of the many responsibilities authors have that aren’t writing: copyedits. Specifically, copyedits on The Way We Fall.

Copyedits is a sort of mysterious step in the publishing process that occurs between the author finishing revisions with his or her editor and the manuscript being laid out with the final page design, which will appear in the advance copies and often the final book as well. It frequently involves looking up lists of marks that to the unfamiliar can seem like a secret code, and reading and making notes in various colors of pencil — I use green, my copyeditor for TWWF used purple — on a hard copy of the manuscript. (I know a few authors who get their copyedits electronically, but both times I’ve done it, it’s been on paper.)


One of the more marked-up pages from TWWF’s copyedits (apologies for the poor lighting)

The copyeditor is an expert at proper grammar and punctuation, and marks corrections on the manuscript accordingly. S/He will also point out typos and inconsistencies in the story (especially in details and timeline) that both author and editor have missed, as well as sentences that s/he finds unclear, sometimes suggesting alternate wording.

All of this is very, very useful. So how exactly is it work for the author? Well, it makes sense for all changes to the manuscript to be checked by its creator, just in case. Certain elements, like comma placement, can be very subjective and authors may decide their preferences in some cases are different from the copyeditor’s.

Plus, especially when it comes to novels, what the copyeditor notes as being technically correct is not always how the author wants the story to read. The copyeditor’s job is to point out what would be correct in formal prose; the author’s job is to veto any corrections to “mistakes” made purposely as part of the writing style or the character’s voice.

This stage also gives authors one last chance to make other changes to the manuscript, if they notice parts they feel need a little more work, before the book is produced in a form that will be sent to reviewers.

What comes next? In varying order, page proofs, a cover, and ARCs (advance review copies). Whichever I get first, I’ll share here!

The music of Give Up the Ghost: “Texarkana”

The next song on the unofficial soundtrack for Give Up the Ghost is the first of two R.E.M. songs, both of which are from their album Out of Time. Here’s “Texarkana”:

To me this is a Tim song. Tim desperately searching for something he’s not even sure is possible, for a chance to talk to his mom again, for a way to come to terms with her death and the hollowness he’s feeling in his friendships, for the strength to keep going in spite of all that. “I would give my life to find it/I would give it all.” And then, “Catch me if I fall.” Which I think you could read as the appeal he’s making to Cass, even if he never says it outright.

I’m also very fond of the lines “40,000 reasons for living/40,000 tears in your eye” because they fit the scene in Chapter 17 so well.

Full lyrics