Archive for March, 2010

Reader Question: Writer’s Block

Wednesday, March 31st, 2010

What do you do when you get a serious case of writer’s block? What do you do to get through it?

To be honest, I don’t get anything I would call writer’s block. I do have a number of points in the writing process where I may find it difficult/impossible to write, that someone else might use that label for, though. But to me “writer’s block” has the connotations of something unnatural, that we’d want to do away with completely, and all those points for me are a normal part of the process.

Sometimes I can’t write because I don’t have any projects on the go, and none of the ideas I’ve been playing with feel quite ready yet. This can be very frustrating, but I’ve learned from experience that if I try to make an idea work when it’s only half-baked, the end result is half-baked, too. When this happens, I try to give myself lots of opportunity to take in inspiring material–books, music, movies, art–until I find the missing pieces for one of those ideas and it’s ready to be written. I also look through my notes on other ideas and random snippets that seemed interesting in case I’ve forgotten something or might see two elements that would work together in a way that hadn’t occurred to me before.

Sometimes I have an idea I think is ready to be written, and I start outlining it, and partway through I get stuck. Most of the time this means that the idea wasn’t really ready after all, and I need to do some more brainstorming and inspiration-seeking to fill in the gaps. Occasionally, like with my current WIP, I start writing based on the beginning of my outline, and spending time with the characters and situation helps me figure out what needs to happen later on.

And sometimes I get stuck in the middle of writing a draft. This happens most often during the first draft, but sometimes later on, too, and it means one of two things.

It can mean that I’ve messed something up–I didn’t really understand my main character’s motivations, and I just realized they don’t make sense for what needs to happen in the story now. I totally forgot to consider how a subplot is going to affect the main plot, and everything has to change. That sort of thing. In those cases, I either re-outline the rest of the story to get things on the right course and continue on pretending that I was going the right way all along (with the intention of going back and fixing the earlier stuff in the next draft), or I start over from the beginning immediately. That depends on how big a change it is (the bigger the change, the harder to course-correct without fixing what’s before) and how far I’m already into the story (the further I’m in, the less I want to start all over again).

It can also mean I’m just having a lot of self-doubt. I’m not really stuck, I’m just afraid that what I’m writing is bad, and that if I sit down and write more, it’ll be even worse. I get this during every first draft, because it’s a lot scarier to write when the story isn’t all on the page yet, and I’m not totally sure I will get to The End. The way I deal with that is, I write those first drafts as fast as I can, to get as much down as I can before the doubts start creeping in, and to get to that magical The End place as quickly as possible after they do. I have a schedule when I’m working on a draft where I write every day after breakfast, before I’m allowed to go online, and so even if I procrastinate for a little while before I get myself into the writing chair, I get there. I remind myself that I always feel that way with a first draft, and all I have to do is get through it, and I’ll feel better. And usually once I get past the first few painful sentences, it starts flowing, and it all gets easier. At least until I have to sit down the next day. :)

(Self-doubt is my least favorite of the above, but you know what, I wouldn’t do away with it completely, either. Doubt is what keeps us trying to write the best stories we can, pushing ourselves to do better.)

Writer friends–do you get what you’d consider writer’s block? How do you deal when you’re having trouble getting the words down?

Reader Question: Finding out

Tuesday, March 23rd, 2010

What did you do when you found out Give Up the Ghost was going to be published?

Something I suspect most non-authors don’t realize is that the “finding out your book will be published” part of the process is more complicated than it sounds. In my case it took place over the course of six weeks! Consisting of (through a combination of e-mail and phone calls with my agent):

-Hearing that an editor planned to offer but wasn’t officially going to until after the Christmas holidays.
-Hearing that the editor had officially offered.
-Hearing that another editor had offered.
-Waiting while my agent negotiated.
-Deciding with my agent which house we would go with.
-Waiting while my agent continued to negotiate with the chosen house on the deal terms.
-Finally hearing everything was settled, and being able to announce the good news!

When the first offer came in, I celebrated by babbling about it to my husband and on the phone to my parents and ordering in Thai. But nothing feels totally certain until you get the go-ahead from your agent to announce the deal publicly. And it took another six months before I saw and signed the contract itself! After that, I celebrated by getting myself a shiny new computer (an iMac to replace my old eMac that was still running fine but getting a little slow). :)

Other authors want to share their “when I found out I’d be published” stories?

My song obsession of the moment…

Saturday, March 20th, 2010

What do you have on repeat?

Happy weekend!

Reader Question: Food!

Thursday, March 18th, 2010

What is your absolute favorite cooking style? As in Mexican, Asian, Italian…

Probably sounds like an easy question, but for me it’s actually hard. I love food. I love many different kinds of food. I can’t conceive of only eating one type of food for the rest of my life. Even if it was one I really liked, I would be so sad about losing out on the rest!

If I’m on my own, I usually get Thai, because Chris doesn’t like it all that much, so that’s about the only time I can. Green mango salad, phad thai, green curry chicken = yum!

When Chris and I eat out, we usually pick something we’d have a lot of trouble making at home. Indian’s a big fave, along with Chinese, Vietnamese, and Ethiopian.

I also adore Italian pasta and pizza, though our Italy trip kind of spoiled us. Nothing tastes quite as good here as it did there!

Now I’m hungry…

Reader Question: GHOST as a movie

Monday, March 15th, 2010

(I’ll be answering one or more of the questions from the March giveaway each week, in approximately the order they were asked. :) )

If Give Up The Ghost was being made into a movie, who would you cast as the main characters?

If we were going to do this my ideal way, time travel would have to be possible. Because the actress I think would fit Cass the best is probably too old to convincingly play a 16-year-old now. I suspect Thora Birch, circa AMERICAN BEAUTY, would have been just about perfect:

And I could see Hayden Panettiere making a good Paige:

I still haven’t come across an actor who fits my mental image of Tim. The closest I’ve gotten is the guy in the stock photos I used in the book trailer.

Maybe you all have a better idea. Who would you cast as Tim?

We can write in omniscient but we’re not omnipotent

Friday, March 12th, 2010

I think one of the most important things any writer who is or is attempting to be published has to realize is that as soon as you share that story with anyone other than yourself, you not longer have control over its content. And that the more people read it, the less control you have.

That might sound counterfactual. After all, as the author you do control which words you have put on the page and which ones you haven’t. (You can argue that once we get into the editing stage that’s not entirely true, but ultimately any change even if pressed on you is one you accepted in one way or another, and besides that’s not where I’m going with this.) And the words are the content, right?

Except that they’re not.

The words are more like a guidebook to the story you want your readers to be experiencing. You are trying to tell them what this story’s about and how they should feel about it, but ultimately it’s their trip and they’ll go where they want to go with the maps provided. The content is the story that plays out in their heads when they read those words, which is a very different thing from words themselves.

You already know this is true. You have formed, at least once, an image in your head of a main character in a book you’re reading, only to be completely thrown when halfway through the author mentions that redhead you’ve been picturing is blond. You have commented to a friend about how noble character A was, only to have them scoff and claim he was clearly acting under selfish motivations. You have re-read a story you first read years ago, and discovered that the subplot you thought was so depressing is actually hilarious (or vice versa).

I wanted to say that authors and readers split control over the story about 50/50, but it might actually be more like 10/90. All we do is offer the best words we can come up with. Each reader brings to those words a lifetime of associations and experiences and knowledge and understanding that color and warp them, sometimes beyond recognition.

None of that means that authors shouldn’t try to write the story they intend as clearly and powerfully as they can manage. Even 10% makes a big difference, and the better you write it, the more of the story in your head is likely to get into the readers’. And it doesn’t mean that you should ignore feedback on your writing, because you know what? If nine out of ten critiquers are finding your incredibly sweet protagonist terribly obnoxious, the error’s in your guidebook, not their imagination.

What it means is, you will be a much happier person if you recognize that no matter what words you’ve put on that page, or how long you slaved over them, every single wrong turn a reader could make, someone somewhere will make it.

Someone will think that scene that brought others to tears is trite. Someone will say the story moves way too fast, and someone else will call it ploddingly boring. You can never include so much of X that no one will think it’s not enough, or so little that no one will complain you’ve gone overboard. In short, you will never ever ever be able to make every reader, or even most readers, love the story or any one part of it the way you do. And even the readers who do love it may very well love it for reasons you didn’t intend. And that’s okay, because that’s inevitable, and it’s the same for everyone who’s ever written down words for other people to read.

So just write the best guidebooks you can, and wish your readers well on whatever journey they end up on, and try to laugh instead of cry if they end up lost in a swamp instead of gasping at the awesome cliff-top view you meant to lead them to.

March Giveaway closed

Wednesday, March 10th, 2010

Thank you to everyone who participated in the March Giveaway! I will be e-mailing the winners momentarily.

Looking for song suggestions

Tuesday, March 9th, 2010

Dear readers and fellow writers,

Please recommend to me your favorite songs about the creative process, creative industries (the music business, Hollywood, etc.), and/or fame.

The plot bunny that began here has started growing and wants a plentiful soundtrack. :)

Many thanks in advance,

Me

Giveaway reminder

Tuesday, March 9th, 2010

Just a quick reminder that you have until the end of the day to enter the March giveaway. Good luck to everyone who’s already joined in! I’ll start answering your questions next week. :)

3 Books, 3 Winners, 1 March Giveaway!

Tuesday, March 2nd, 2010

As promised, here’s your March giveaway! Up for grabs, the three books pictured below:


(HOURGLASS–ARC, SCARLETT FEVER–hardcover, A CONSPIRACY OF KINGS–ARC)

Entering is simple: just ask me a question you’d like me to answer on this blog. About writing, publishing, me–anything you like. Just keep in mind…

-Your question should be unique, so specific questions are better than general ones, and you should check the already posted questions before entering.

-You may enter more than once–you can ask one question for each day the giveaway is open!

-Questions that are too personal or relate to confidential information will be discarded; please use your discretion.

-If you have a preference of which book(s) you’d like to win, please note it in your entry.

Open now until the night of March 9th, to anyone in the world. I will pick the three winners at random on the 10th. Please include your e-mail address so I can contact you!

Happy questioning! :)